At the entrance to the penthouse there is a meeting between natural materials and a dialogue of contrasts, between disintegrated bricks in a gray chocolate shade that convey the strength and softness of white curtains, between dramatic black marble with white veins and kitchen carpentry in a delicate khaki shade. The space is paved with French oak herringbone parquet,   and in the kitchen white subway tiles that so characterize New York train stations. All of these connect with the industrialized lighting fixtures, black Belgian aluminum profile and recycled wood furniture details. This creates a stormy and dynamic meeting in space.

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Photographer: Gilad Redt